I had fun with this prose poem. Based on real life experiences, it took on a life of its own once I put it into the second person and strung them all together. Note the connective tissue of sushi throughout. So 1990s! Bloodtree Literature is this gorgeous new publication. I'm delighted to have this work in their second edition. Enjoy.
Book Review of Victoria Chang's Barbie Chang for The Adroit Journal →
I wrote this brief book review for The Adroit Journal's 2017 best books section. I had heard Victoria Chang read from Barbie Chang and was quite taken with her writing, her voice as this alter ego. I have been writing in an alter ego lately (more to come on that soon). Victoria Chang is so adept and clever at weaving her life into her alter ego's voice. Enjoy the review and get the book!
tealeaves
This haibun (Japanese form) poem was inspired by the video created to explain sexual consent. The animated video uses tea as a metaphor for sex. I was struck by how sharing a cup of tea can seem intimate, how there is often ceremony, tradition and expectation involved. This poem eventually evolved into the haibun form which not only played on the Japanese tea ceremony, but also enabled contrast in perspectives (hers/his) (prose/haiku-like) and pacing (fast/slow).
Read MoreFinding My Way Home Chapbook Now on Sale →
Family Secrets
I'm thrilled this poem was selected as a semi-finalist for the very prestigious Pablo Neruda Poetry Prize.
Read MoreGrace
The Seattle Poet Laureate Claudia Castro Luna created a grid of poems about places in Seattle from Seattle poets. I was delighted to have "Grace" selected to bring to life my lovely neighborhood.
Read More#TED2016
I've had the good fortune to attend TED half a dozen times. It is a most extraordinary experience for the people that are there, the talks shared, the theater of it all. I thought I'd share my take on the last one I attended.
Read MoreHow to Run Away →
This poem was written as part of the Tupelo 30/30 when I had to write a poem a day for 30 days last November.
Read MoreMani Pedi Sestina →
I had such fun writing this sestina. A bit snarky, but meant to amuse. The sestina form came naturally as it provided the opportunity to be playful with words like "snug" and "hinge."
Read MoreStung
"We don't typically decide on submissions this quickly, but we all had a chance to read your poem last night and we immediately fell in love." ~3 Elements Review Editors
Read MoreShore Leave
Shore Leave
Dr. William N. Stone, Boston Harbor, 1869
He could diagnose the particular illness
from across the docks by the way a sailor
walked off the ship and down the gangway.
Rickets: the scrawny bow-legged one.
Scabies: the short sailor, bag shouldered,
free-hand scratching vigorously.
TB: the mick’s hunched, stalling cough.
Another hobbled by gangrene’s deathly creep.
He’d ready the lotions, medicines,
scalpels, suture needles, bandages, whiskey.
Ready for bile-filled bellies, bones badly
broken then badly set. Mites and lice,
scurvy’s blackening bruises, bloody
toothless mouths, wreaked livers,
weakened lungs, busted noses, cauliflower
ears, the ooze of puss from open wounds.
Steady stream. They’d queue outside. First stop
before pubs, whores, dinner, a bath,
while they still had cash in hand.
He’d ask them in to his room, seat
each sailor on the table. Quick check
then set to work, probe, mend, amputate,
medicate, bandage, eradicate.
Their breath stinking of rum and rot.
Their talk of storms, endless seas, loss.
Some arrived wearing death’s ragged coat,
he’d refuse their pay. Peer, pry, then lie,
ply with more whisky and send off with a pat.
Heidi Seaborn
This poem initially was about pirates. I then started researching the history of ship and shore doctors during the great sailing ship era. That learning took me to redraft this poem in this form and to epigraph it to a doctor I discovered along the way. It appeared in the 2017 edition of Freshwater Literary Journal.
Ode to the Athlete
In my Master Class, David Wagoner mentioned the classic hexameter in passing. I decided to dig into it and see if I could write a poem in hexameter. I dug up an old, old Greek Reader (W.H. Auden, editor) that still is scored with notes from my mother's school days and mine. In it, I discovered Pindar's Ode to the Athlete. I found it so perfectly suited for what I wanted to write about my youngest son's journey from athlete to a working design engineer in NYC. In fact, I stole liberally from it, interspersing Pindar's lines amongst my own. See if you can find them! I didn't achieve hexameter however. This appeared in Freshwater Literary Journal's 2017 edition.
Read MoreOff Alki
"Off Alki" is a short poem that emerged from the longer poem "But How Could We Forget?" and was written as a submission to the Seattle Poetry on the Buses contest. It was chosen and on April 24th, I read it at the launch party and saw it posted on a bus. The poem will travel all over Seattle for a year. I hope it makes people think and smile at some point in their day. You can see the poems at PoetryonBuses.
Thanksgiving 2015
“Best wishes from our family to yours.”
-Hallmark
Brutal: derived from a king slayer, warlord, philanderer,
who turned coat, turned his back, turned on
the trusting hearts hung near his own.
My sister’s brute sharpened heart, a weapon to drive
deep between the ribs of the man she once loved.
Not behind closed doors, a quiet killing.
No, a spectacle worthy of the Romans.
As our family gathered to give thanks for another year
of living, of loving, of one another.
Birth gave us front row seats in the Coliseum,
to watch a man bloodied by the ravages
of thirty years of unspoken stories.
I am the Hiritus of this moment, chronicling
what remains as Caesar shops for a new home
and the garden goes untended.
~Heidi Seaborn
Thanks to Gold Man Review for printing this poem in their Fall 2016 issue.
Hypothermia Survival Guide
Along with "Finding My Way Home," West Trade Review published this poem that is one of my favorites. I intertwine first to second person tense to destabilize the reader and hopefully provide a sense of intimacy and immediacy to the poem.
Read MoreFinding My Way Home
This poem is my story of living a peripatetic life and then finding home back where I grew up, finding love and finding my way back to writing. It also is a play on the name Sea Born and threaded with illusions to Venus. I loved that West Trade Review chose to publish it in this issue with this cover.
Read MoreWhat We Hold On To
Dungeness Spit, Washington
The road gathers the fields, harvesting them with each turn.
A barn with silver silos crests the green horizon.
The houses, whose gardens snap sunflowers, rhubarb,
lettuce and stunted corn are the dream
we each harbor in the folded wing of our palm.
We stem from forest trail to the beach,
skid the sand between our toes,
feel the smooth circles of stone beneath our feet.
This spit is the crooked finger calling the ocean home,
the arm holding our family together.
We sleep on the driftwood,
eat cheese and sausage on Russian rye,
search for agates like four-leaf clovers.
The wind is not enough to unbalance the cranes from their post,
not enough to push us further down the spit to the lighthouse.
~Heidi Seaborn
This poem was written eons ago. I held onto for decades and then it felt right to send it to the Washington State Poet Laureate's call for poems. It memorializes a special moment before our family scattered one by one off to adulthood.
WA129 is available on Amazon and bookstores throughout the state and supports the arts.
Nightview, New York 1932
Inspired by the Berenice Abbot photograph
Here it is: a cozy of gems stitched down your sleeve.
Blood pulsing
hot against your temple.
You hold the lights like children in your gaze.
The tempo of traffic.
Inhale the shoe polish deep in the subway.
Shoulder the cold as if it’s a woman you can’t leave.
Heidi Seaborn
Impressions on W. H. Auden
I wrote this poem eons ago, when I was a teenager. I reworked only slightly and it was published by Ekphrastic Review. Having read a great deal of Auden again recently, I feel like this impression of him remains with me.
Separation and In Memoriam
Fredericksburg Literary and Arts Review published two more of my poems in the Fall 2016 issue. "In Memoriam" was written during that productive stay in Winthrop after a walk along the Chewuch River Valley. I wrote "Separation" for one of my sisters as a response to her becoming separated and the how disorienting that experience can be.